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      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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      <image:title>Partner &amp; References</image:title>
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  <url>
    <loc>https://www.rachel-clarke.de/en/wild-tales</loc>
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    <lastmod>2025-02-08</lastmod>
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      <image:title>Wild Tales</image:title>
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      <image:title>Wild Tales</image:title>
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  </url>
  <url>
    <loc>https://www.rachel-clarke.de/en/love-shivers</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/58d4259dcd0f68ac6fe8c6ac/1490801559290-3K4JKU4370N6FWQF3IV4/01_Liebesschaudern.jpg</image:loc>
      <image:title>Love Shivers</image:title>
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      <image:title>Love Shivers</image:title>
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      <image:title>Love Shivers</image:title>
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      <image:title>Love Shivers</image:title>
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      <image:title>Love Shivers</image:title>
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      <image:title>Love Shivers</image:title>
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      <image:title>Love Shivers</image:title>
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  </url>
  <url>
    <loc>https://www.rachel-clarke.de/en/storytelling-arena</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2025-10-06</lastmod>
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      <image:title>Storytelling Arena</image:title>
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      <image:title>Storytelling Arena</image:title>
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  <url>
    <loc>https://www.rachel-clarke.de/en/contact</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-16</lastmod>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/en/about-storytelling</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-08</lastmod>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/de/storytelling-arena</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d4259dcd0f68ac6fe8c6ac/1490306083938-UDG7490WSSNEE833LRFI/image-asset.png</image:loc>
      <image:title>Storytelling Arena</image:title>
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  </url>
  <url>
    <loc>https://www.rachel-clarke.de/en/privacy-policy</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-07-25</lastmod>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/de/datenschutzerklaerung</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-07-25</lastmod>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/en/imprint</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-04</lastmod>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/new-page-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-06</lastmod>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/de/park-berlin-wildnis</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d4259dcd0f68ac6fe8c6ac/72fd1ee4-4dc8-4bd9-9714-141a3bad1933/Hecke+geschn.png</image:loc>
      <image:title>Park. Berlin. Wildnis. - Park. Berlin. Wildnis.</image:title>
      <image:caption>Eine Ballade von Rachel Clarke zum Rechtsrück in Deutschland. Die englische Übersetzung heisst “Park. Berlin. Wildernis”. R. und J. genießen einen Ausflug in den Naturpark Südgelände in Berlin, dem zum Ende des 2. Weltkriegs stillgelegten Rangierbahnhof, der sich seitdem verwildern darf.  Als J. verschwindet, macht sich die Erzählerin R. auf der Suche. Als ein Zug aus den 1920er Jahren plötzlich aus dem Laubwerk hervorbricht, verflechten sich Vergangenheit und Gegenwart. Wer sind diese Passagiere? I. Endbahnhof. Verrostetes Eisen. Bemosste Gleise. Rücken am Holz, Nase in der Luft, lausche ich…  Keine boomende Bässe, Keine eilende Passanten, Keine zischende Chefs, Keine wachsende Papierstapel, Keine skandalierende Bildschirme - Funkstille. Silberner Wind in den Birkenbäumen. Erwartete Rasseln der Kronen. Entfernter Donner. Ausbleibender Blitz. Zu meiner Linken liegen die Picknikreste. Eine Zigarillo, ausgedrückt auf einer Passionsfrucht-Pelle, Eine Flasche Whisky von der Insel Raasay, halb leer, Ein verblassendes Buch, Die Ostdeutschen als Avantgarde Ein Stück geschmolzener Brie-Käse, Ich, im Schatten meditierend, J. in der Sonne, schlafend, zuckend, Bald bin auch ich am Schlummern. II. Neben meinem Ohr beginnt unbetretene Erde zum Gedeihen, eignet sich Armeisen-Horden an, kreucht mit Kröten. Der ungezähmte Dickicht wuchert weiter in der unnatürlichen Hitze Ochsenfrösche quaken gen Himmel, verlangen Regen. …</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/de/was-ist-eine-ballade</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-09</lastmod>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/de/letztens-lorca</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d4259dcd0f68ac6fe8c6ac/1757924844174-QQL8A1VGJJ3ECTKCKO1A/DSC01412.JPG</image:loc>
      <image:title>Letztens, Lorca - Letztens, Lorca</image:title>
      <image:caption>Eine Ballade, zu Hommage an den Dichter Federico Garcia Lorca. Dichterin Rachel Clarke Sprachversionen: Deutsch, Letztens, Lorca. / Original Rachel Clarke Englisch, Lately, Lorca. / Übersetzung Rachel Clarke Spanisch, Últimamente, Lorca, Übersetzung Helena Estela Baeza Prämisse: Die Erzählerin kehrt aus ihrem Urlaub in Andalusien zurück und stellt fest, dass der spanische Dichter und seine Entourage ihre Berliner Wohnung in Beschlag genommen haben. Die Grenzen zwischen Realität und Fiktion verschwimmen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/de/athens-in-der-krise</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d4259dcd0f68ac6fe8c6ac/1757927353978-KAGITRR1K4YK1TCOF21Q/Bild1.jpg</image:loc>
      <image:title>Athens, eine Liebesgeschichte - Athen in der Krise, eine Liebesgeschichte.</image:title>
      <image:caption>Eine Ballade von Rachel Clarke. Englisches Original: “Athens in Crisis, a Love Story”, übersetzt ins Deutsch von der Storytellerin. Story: Eine Begegnung im Theater, eine Affäre, ein intensiver Einblick in den Athener Alltag, inmitten der Griechenland Krise. Privates und Politisches verflechten sich untrennbar miteinander. II. Psirri Monströs leuchtende Graffitti-Geister schmücken die Wände der Gasse. Ich klopfe an die Eisentür, eine zweite Unsichtbare öffnet sich, ich hebe den schwarzen Vorhang und trete ein, eine einzige Birne erhellt diese dramatische Höhle, Embros – das ist radikales Widerstandstheater. Die einst ausverkauften Sitzplätze sind nun von Kunstaktivist*innen besetzt, einige Mittelstandskinder mit Master, die wie alle seit der Krise um ihre Existenz bangen. erklärt mir eine Kollegin und Performancekünstlerin, hier genauso zuhause wie in Berlin. Als Teil ihrer Berliner Delegation werde ich von der Wärme lebhafter Diskussionen empfangen – inmitten von allem, unerwartet - du - deine Stimme, ein dunkler Celloton, die Bände streichst du mit deinem lachenden Bogen, umgeben von Frauen, die sich an der Melodie erfreuen. Während der Pause wandere ich über den Syntagma-Platz und begegne neuen Obdachlosen, gerade angekommen darunter Familien aus allen Gesellschaftsschichten, die gestern hier noch geholfen haben und heute selbst auf Hilfe angewiesen sind. Aktivistinnen von Democracy4All teilen Suppe aus. einige kenne ich von der Kundgebung vor dem Abgeordnetenhaus Xara macht gerade kurz Pause, umarmt mich und lädt mich dazu ein, mit ihren Mitstreiter*innen an der Feuerstelle ein Lied des Widerstands mitzusingen. Es geht weiter am “Front” Theater - auf der Bühne präsentiere ich im zweisprachigen Kollektiv unser Stück aus dem Jahr 2050 dem Publikum ein Rückblick auf die kommende Revolution und eine Vision der darauffolgenden Erneuerung. Danach steht die Bühne offen - für die wies und warums. Ich höre, wie du eine Frage stellst – drei Dutzen trennen uns, dein Hinterkopf vom Licht gekrönt. ich erwidere mit Verstand meine Ohren pochen – ich höre, wie du urteilst – zerfalle in Fragmente auf dem Bühnenboden. Eine Person im Publikum fragt ironisch, “ist die deutsche Delegation im Auftrag von Merkel da?” Ich lache - und reiss mich wieder zusammen. Das Publikum strömt hinaus und verabschiedet sich, in der Menge verliere ich dich. im leeren Saal spüre ich den Schmerz eines Messerstichs. O Anthropos, αυτό είναι σοβαρό! Leute, die Lage ist ernst! Arbeit wird mich aus meinem Kopf drängen – und das ist gut so! Nαί - wir haben Krisí – es gibt so viel zu tun ... …</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/de/erinnerungen-festival</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d4259dcd0f68ac6fe8c6ac/1757924790890-H0LSNVFJD1FYSLXHFY0J/Memories+Festival+1.jpg</image:loc>
      <image:title>Erinnerungen an ein Festival - Erinnerungen an ein Festival (2020)</image:title>
      <image:caption>Foto: Johanna Schartau, Festival-Kuratorin &amp; Bildende Künstlerin</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/de/tam-des-teufels</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d4259dcd0f68ac6fe8c6ac/7efce5ec-00fd-4eec-807b-fd8af2a5bf88/Tam_O_Shanter_by_William_Carse.jpg</image:loc>
      <image:title>Die Ballade - Tam O'Shanter - Tam O’Shanter - a Ballad.</image:title>
      <image:caption>Gemälde von William Carse, nach dem Gedicht von Robert Burns, Quelle, Wiki Commons, Public Domain</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/de/eine-panweibliche-zukunft</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d4259dcd0f68ac6fe8c6ac/dc40340c-962d-46e5-a675-d89a746896f1/Berlin+Foto+Hutangac_SF+klein.jpg</image:loc>
      <image:title>Eine panweibliche Zukunft - Mach es besonders</image:title>
      <image:caption>Foto Hutangac</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/de/abwesenheit-von-menschen</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d4259dcd0f68ac6fe8c6ac/1757948050993-F0F7MZFXFT76AB7G81CZ/Abwesenheit+v+Menschen.png</image:loc>
      <image:title>Abwesenheit von Menschen</image:title>
      <image:caption>Mit KI generiertes Bild (midjourney)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/en/the-genre-ballad</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-30</lastmod>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/en/park-berlin-wildernis</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-10-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d4259dcd0f68ac6fe8c6ac/72fd1ee4-4dc8-4bd9-9714-141a3bad1933/Hecke+geschn.png</image:loc>
      <image:title>Park. Berlin. Wildernis. - Park. Berlin. Wildernis.</image:title>
      <image:caption>A ballad by Rachel Clarke on the resurrection of fascism in Germany and Europe. The German translation is titled “Park. Berlin. Wildnis”. R. and J. enjoy an outing to the Nature Park Southern Grounds in Berlin, a railway marshalling yard that was decommissioned at the end of World War II and has been allowed to run wild ever since. J. disappears and the narrator R. sets out to search for him. When a train from the 1920s suddenly emerges from the foliage, it brings with it passengers who long for order and authoritarian rule. Past and present intertwine. Who are these people? Park. Berlin. Wildernis. I. Terminal station. Rusted iron. Late afternoon ease. Mossed tracks. Back on the grass, Nose in the breeze. I listen… No badgering bosses, No rushing passersby, No booming basses, No mounting paper piles, No scandalizing screens. Silence.  Silver wind in the birch trees, Expected rustling of leaves. Distant thunder. Absent lightning. By my side, picnic debris, Cigarillo stubbed out on passionfruit peel, a bottle of ruban cask whisky, half-empty, a fading book “the East Germans as Avantgarde” a fragment of melted cheese, me, meditating in the shade, J. sunbathing, twitching in his sleep. My eyes close too, off I doze. II. By my ear, untrodden earth thrives, amasses ants, teams with toads, The untamed thicket, rampant, in the unnatural heat, Somewhere sheep bleat. Bullfrogs croak sky-bent, demanding rain. … Duration of ballad in performance, 20 Min.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/en/lately-lorca</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-10-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d4259dcd0f68ac6fe8c6ac/1757924844174-QQL8A1VGJJ3ECTKCKO1A/DSC01412.JPG</image:loc>
      <image:title>Lately, Lorca - Lately, Lorca</image:title>
      <image:caption>A Ballad and hommage to the Féderico Garcia Lorca. By Rachel Clarke Available Language Versions German, Lately, Lorca. / Original Rachel Clarke English, Lately, Lorca. / Translation Rachel Clarke Spanish, Últimamente, Lorca, Translation Helena Estela Baeza Story: The narrator returns from Andalusia to discover that the Spanish poet and his entourage have taken over her flat in Berlin. The boundaries between reality and fiction become blurred.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/en/a-panfeminine-future</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-10-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d4259dcd0f68ac6fe8c6ac/dc40340c-962d-46e5-a675-d89a746896f1/Berlin+Foto+Hutangac_SF+klein.jpg</image:loc>
      <image:title>A Panfeminine Future - Mach es besonders</image:title>
      <image:caption>Foto Hutangac</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/en/absence-of-people</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-10-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d4259dcd0f68ac6fe8c6ac/1757948050993-F0F7MZFXFT76AB7G81CZ/Abwesenheit+v+Menschen.png</image:loc>
      <image:title>Absence of People</image:title>
      <image:caption>Image generated with AI. (Midjourney)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/en/memories-of-a-festival</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-10-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d4259dcd0f68ac6fe8c6ac/1757924790890-H0LSNVFJD1FYSLXHFY0J/Memories+Festival+1.jpg</image:loc>
      <image:title>Memories of a Festival - Memories of a Festival. Glemminge Bridge, Sweden</image:title>
      <image:caption>Foto: Johanna Schartau, Festival-Kuratorin &amp; Bildende Künstlerin</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.rachel-clarke.de/en/athens-in-crisis-a-love-story</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-10-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58d4259dcd0f68ac6fe8c6ac/1757927353978-KAGITRR1K4YK1TCOF21Q/Bild1.jpg</image:loc>
      <image:title>Athens in Crisis, a Love Story - Athens in Crisis, A Love Story</image:title>
      <image:caption>A ballad by Rachel Clarke A German language version is available “Athen in der Krise, eine Liebesgeschichte”, translated by the poet. Story: An encounter in the theater, a brief affair, an intense insight into the everyday life of an actor in the midst of the Greek crisis. A bittersweet experience with political depth, that the poet does not want to forget. I. Mexaghourgio There was a man, back to the wall, brooding, Head curved like a question mark in black marble, Spirit weightier than the thick bar air, Turning chatter to the trivial buzz of flies. His stygian beard ceased to caress his breast - Raising his glance up and out to the terrace - I, ever shy, could now not but meet his eyes - And held - and held - and held - and held them -    As he held mine.   Greek actor-poet and anarchist meet - Scottish-German puritan artivist bride, Ears of stone, cells resonating, I spend A torturous hour, hear no friends' chatter.    Now! Now... at-ta-cca, at-ta-cca, at-ta-cca  - He has risen, approaches, hesitates - On the marble step..at-ta-cca, at-ta-cca -   Passes along the neon-lit wall... At-ta-cca, at-ta-cca, at-ta-cca -   His foot, knee, thigh, hips, chest, crown, calf, foot... Sucked into dark Athens alleys, Through my shoe soles, cold female hands under stone, Beat and scratch, outraged at another love lost. II. Psirri Monstrous bright spirits adorn the alley walls. I knock on one iron door, another opens, I lift the black curtain and enter, A single lamp floods this dramatic cave,  Embros - The Front, radical resistance theatre, Once abandoned seats now filled with occupying artists. My Berlin delegation already at home here, I am welcomed by the warmth of vibrant discussion - And there, amidst it all - he is - you are... Your voice - the darkest muted cello tone, Your laugh - a caress of your voice strings with your bow Your glance danced to the tune of playful pleasing, Surrounded by dark-haired women, enjoying his - your teasing. Our artivist meeting starts - now - I present our play to the crowd, You, three rows back, three dozen between us, I cannot see your eyes, I can see the question mark, In a halo of light.I feel you smiling - My mouth dries - I feel you listening - My ears thudding - I feel you thinking - My mind dries - I feel you judging - My soul dries - I am finished... The floor is opened to wheres, whats and whys, The crowd pushes out, call their goodbyes,    The empty hall, a thrust and twist of knives, What? O anthropos, ochi mia matiá?   Will this passion forever remain unrequited? It’s too late now, at least for you, for love at first sight. Work-will-push-you-out-of-my-head-and-thats-a-blessing Nαί - we have Krisí - so much to be done... … Duration of Storytelling Performance, 15 mins.</image:caption>
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  <url>
    <loc>https://www.rachel-clarke.de/en/tam-o-shanter-a-ballad</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-10-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/58d4259dcd0f68ac6fe8c6ac/7efce5ec-00fd-4eec-807b-fd8af2a5bf88/Tam_O_Shanter_by_William_Carse.jpg</image:loc>
      <image:title>Tam O'Shanter - a Ballad - Tam O’Shanter - a Ballad.</image:title>
      <image:caption>A painting by William Carse, after the verse poem by Robert Burns, Source, Wiki Commons, Public Domain</image:caption>
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